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The Tippett Touch
Article by Jody Duncan
 
From its humble beginnings in a garage to state-of-the-art facility at the forefront of the much-changed visual effects industry, Tippett Studio, recently observed its quarter-century anniversary. Now Cinefex honors that milestone with a career retrospective of its renowned founder, Phil Tippett, who first distinguished himself as a stop-motion animator in the Star Wars and Robocop series, before exploring the short-lived go-motion process with Dragonslayer, and then plunging into computer animation with the groundbreaking Jurassic Park and dozens of subsequent films ranging from Starship Troopers and Hellboy to Cloverfield and, most recently, The Twilight Saga.
 
The Wolfman
Curse of the Werewolf
Article by Joe Fordham
 
Universal Studios dipped once again into its treasure trove of classic movie monsters with The Wolfman, starring Benicio Del Toro as a haunted nobleman who returns to his ancestral homeland to confront a terrible destiny. Director Joe Johnston called upon Oscar-winning makeup effects designer Rick Baker for prosthetic makeups that captured the spirit of the original Lon Chaney, Jr. Wolf Man, while The Moving Picture Company, Double Negative and Rhythm & Hues, under visual effects supervisor Steve Begg, re-created Victorian England and melded Del Toro's performance with digital wolfman effects that lent a terrifying verisimilitude to the iconic character's transformations.
 
The Imaginarium of Doctor Parnassus
Through the Looking Glass
Article by Joe Fordham
 
Director Terry Gilliam reunited with screenwriter Charles McKeown, his collaborator on Brazil and The Adventures of Baron Munchausen, to concoct a fantasy involving an ancient vagabond storyteller who rolls into modern-day London in a carnival wagon, seeking lost souls to fulfill a Faustian pact with the devil. Joining forces to bring Gilliam's unique and phantasmagoric vision to fruition were visual effects supervisors John Paul Docherty and Richard Bain at Peerless Camera Company, model supervisor Leigh Took of Mattes and Miniatures, and Lola Post.
 
Percy Jackson and the Olympians: The Lightning Thief
Q&A with Kevin Mack
Interview by Joe Fordham
 
Oscar-winning visual effects supervisor Kevin Mack discusses the challenges of putting a modern spin on ancient Greek mythology in Percy Jackson and the Olympians: The Lightning Thief, a cinema fantasy based on the best-selling children's novel series by Rick Riordan. Mack worked with more than a dozen visual effects vendors — including Digital Domain, The Moving Picture Company and Luma Pictures — to realize the film's intermingling of mythological creatures with present-day settings.
 
 
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