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X-Men: First Class
First Class Effects
Article by Jody Duncan
 
In this franchise 'reboot,' exploring the genesis of X-Men's warring mutant factions, director Matthew Vaughn and visual effects designer John Dykstra devised shots illustrating the super-powers of both new and returning characters, aided by a visual effects contingent comprised of MPC, Cinesite, Weta Digital, Rhythm & Hues, Luma Pictures, Digital Domain and The Senate. Complementing the visual effects were mutant makeups provided by Amalgamated Dynamics Incorporated, makeup artist David Elsey and Spectral Motion.
 
Thor
God of Thunder
Article by Joe Fordham
 
Director Kenneth Branagh brings the hammer-wielding Norse deity to life in this action-packed tale based on the popular Marvel Comics series. Under supervisor Wesley Sewell, seven vendors handled the visual effects work, including Whiskytree, BUF Compagnie and Digital Domain, which devised the film's mythic realms, and Luma Pictures, which focused on earthbound effects. Special effects were overseen by Daniel Sudick, while Legacy Effects handled special makeup effects.
 
Priest
Holy Warriors
Article by Jody Duncan
 
To depict the stark, alternate-reality world of Priest — the setting for this post-apocalyptic tale about a centuries-long war between man and vampires — director Scott Charles Stewart called upon visual effects supervisor Jonathan Rothbart to oversee the creation of vampires and environments in some 800 shots, divided among an array of effect facilities including Svengali FX, Tippett Studio, The Senate, Spin VFX and Zoic Studios. KNB EFX Group contributed vampire creature suits, makeup effects and dummies.
 
Source Code
Reality Deconstructed
Article by Joe Fordham
 
Following his directorial debut with Moon, filmmaker Duncan Jones returns with Source Code, a techno-thriller about a covert operation's use of immersive virtual reality to investigate a terrorist explosion onboard a Chicago commuter train. Special effects supervisor Ryal Cosgrove, makeup effects supervisor Adrien Morot and visual effects supervisor Louis Morin furnished reality-bending effects, with the help of Modus FX, Rodeo FX, MPC, Oblique FX, Fly Studio and Mr. X.
 
 
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