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November 1984 |
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only as photocopies of individual articles. |
Gremlins:
Never Feed Them After Midnight
A stylishly quirky master
of the cult film, director Joe
Dante took a giant step forward into mainstream filmmaking with Gremlins,
a savagely witty fairy tale and resounding boxoffice success.
To an extent beyond that of any recent film, Gremlins relied almost
as much on its variously conceived mechanical creatures as it did on its
live performers. With contributions from Joe Dante, producer Michael Finnell
and others, mogwai and gremlin creator Chris
Walas unveils the story behind the year's most remarkable cinematic
newcomers. Article by Paul M. Sammon |
Across
the Eighth Dimension with Buckaroo Banzai
Overflowing with bizarre
concepts and off-the-wall humor, The Adventures of Buckaroo Banzai
demanded an equally off-centered approach to its visual effects.
With this in mind, effects supervisor Michael
Fink was given the task of organizing and coordinating the activities
of three separate facilities, all engaged in providing footage of organic
spaceships and interdimensional environments. With an overview by
director W.D. Richter, Fink elaborates on the project, with additional
input from Hoyt
Yeatman and Keith Shartle of Dream
QuestImages, Peter
Kuran of VCE,
Inc., and John Scheele of Greenlite Effects. Article by Nora Lee |
Dreamscape:
What Dreams Are Made Of
Creating a low-budget dream
world was often a nightmare for the effects personnel involved in Dreamscape.
Visual effects supervisor Peter
Kuran details the creation of surrealistic nuclear explosions and post-holocaust
environments; special makeup artist Craig
Reardon outlines the construction of a full-size snakeman and various
radiation-burned bomb victims; and camerman James Aupperle discusses
his stop-motion animation in the film. Article by Adam Eisenberg |
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