When Steven Spielberg's Amblin Productions first approached Industrial Light & Magic with a request to purvey the few, minimal effects shots needed for The Goonies and Back to the Future, the proposal seemed innocent enough. The premier facility was well-accustomed to orchestrating visual effects by the hundreds for Lucasfilm's intergalactic space epics. But the fast-paced, tandem production scheduling of Amblin's earthbound adventures called for some decidedly different approaches - and compelled the already well-occupied ILM staff into a whirlwind of productivity. And although neither Goonies nor Back to the Future is considered a 'major effects film', each features several well-placed 'major effects'. Seasoned veterans of illusion Micheal McAlister, Ken Ralston and other members of Industrial Light & Magic - along with the films' special makeup experts - discuss life in the special effects fast lane and the ensuing challenges thereof. |