![]() |
|
November 1991 |
|
(outside U.S. - add $5.00 each for postage) |
|
|
When director Ron Howard
set out to make the ultimate firefighting picture, even he supposed that
much of the fiery action in Backdraft would have to
be accomplished via miniatures and process photography.
Special effects supervisor Allen Hall would prove him wrong. Although
a handful of visual effects shots would indeed be produced by Industrial
Light & Magic, nearly all of the nonstop pyrotechnics would be
accomplished live on stage sets and urban locations - with major screen
actors working in close proximity to conflagrations of awesome
magnitude. Article by Jody Duncan |
To capture on film the
adventure and ambience of The Rocketeer - Dave Stevens' comic book
evocation of Los Angeles during the golden age of aviation - director Joe
Johnston assembled a team of ace collaborators including production
designer Jim Bissel and special effects supervisor Jon G. Belyeu.
A former visual effects art director, Johnston also returned to his alma
mater - Industrial
Light & Magic - for optical work and miniatures ranging from an
eighteen-inch flying superhero to a thirty-four-foot zeppelin. Article by Mark Cotta Vaz. |
Inspired by the period
writings of Raymond Chandler and H.P. Lovecraft, Cast a Deadly Spell
- a made-for-cable feature produced by Gale Anne Hurd for HBO
Pictures - infuses the hard-boiled detective genre with unabashed
elements of supernatural horror and offbeat humor. Makeup and creature
effects - including a passel of gremlins, a living gargoyle and assorted
demons large and small - were created by Tony Gardner and his Alterian
Studios. Opticals and miniatures - primarily matte paintings and
a cataclysmic finale - were provided by 4-Ward
Productions. Article by Kevin H. Martin |
|
Online Store | Ordering Information | View Your Shopping Cart | Site Map |
![]() |