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August 1992 |
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(outside U.S. - add $5.00 each for postage) |
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For three years after the
record-breaking success of Batman, legions of batfans eagerly awaited
the return of their Dark Kinght. With BatmanReturns, director Tim
Burton - in his inimitably macabre style - was to once again bring the
Batman legend to the screen. Like the first film,which had been a monumental
production mounted in England,Batman Returns would demand the all-out
efforts of a veritable army of filmmaking and effects personnel. For the
sequel, the filmmakers would remain on American soil, shooting the live-action
on some of the biggest soundstages in Hollywood - with no fewer than eight
effects facilities joining the fray. Visual effects supervisor MichaelFink
oversaw the complex effects assignment, which included everything from
Gotham City miniatures to animatronic penguin puppets to computer generated
bats. Key contributors to the project were to come from the celebrated
ranks of Boss
Film Studios, Matte
World, StetsonVisual
Services, The
Chandler Group, Video
Image Associates, StanWinston
Studio, 4-Ward
Productions and CG Special Effects.
Article by Mark Cotta Vaz |
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