 |
 |
 |
|
|
|
|
November 1992 |
|
(outside U.S. - add $5.00 each for postage) |
|
|
When Disney was making
Honey,
I Shrunk the Kids, its own in-house effects facility lacked both the
equipment and the personnel to take on the assignment. Three years later,
Honey, I Blew Up the Kid would mark the reemergence of
Buena
Vista Visual Effects. Providing support were eleven other effects companies,
including CIS-Hollywood
and Sony High Definition in their feature film debuts.
Article by Jody Duncan |
Among the effects challenges
of Robert
Zemeckis' black comedy, Death Becomes Her, were the unlikely
depictions of Goldie Hawn as a two-hundred-fifty-pound blimp and Meryl
Streep with a twisted-around head. The effects teams at Industrial
Light & Magic and Amalgamated
Dynamics Incorporated joined with makeup artists Dick
Smith and Kevin Haney to realize the comically horrific tale.
Article by Kevin H. Martin |
|
Online Store | Ordering Information | View Your Shopping Cart | Site Map |
|
 |
|