When Frank Marshall and Kathleen Kennedy set out to film Congo, they turned to Stan Winston Studio for one of the story's main characters, as well as its principal villains. Then, for groundbreaking earthquake and volcano effects, they enlisted Industrial Light & Magic and physical effects supervisor Michael Lantieri.

Article by Jody Duncan

Effects crews  on both sides of the  Atlantic helped to  bring Judge Dredd to the screen.  Working  the  live-action in  England were physical effects supervisor Joss Williams and makeup designer Nick Dudman. And providing the miniature and digital work stateside were Mass.Illusion and Kleiser-Walczak Construction Company.

Article by Mark Cotta Vaz

Dick Smith won his first job in makeup during the golden age of live television.  Essentially untrained, but with boundless enthusiasm and drive, he quickly mastered his craft and branched into motion pictures.  In half a century  of achievement, he has  contributed countless  technological and  aesthetic advances  to the field.

Tribute by Don Shay