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66 |
JUNE 1996 |
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$17.50 |
(outside the U.S. add $7.50 shipping) |
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Dragonheart |
Heart and Soul |
Article by Jody Duncan |
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Producer Rafaella de Laurentiis had to wait five years for effects technology to catch up with the demands of her dream project. But with perseverance, director Rob Cohen and cutting-edge digital effects by Industrial Light & Magic, Dragonheart and its uniquely expressive talking dragon at last came wholly to life. |
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Twister |
Riders on the Storm |
Article by Jonathan Luskin |
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Director Jan De Bont realized that a dead-on depiction of tornadoes and the destruction they wreak was essential to Twister, his suspense thriller about daredevil storm-chasers. Enlisted to produce the integrated effects were physical effects supervisor John Frazier and the digital team at Industrial Light & Magic.
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James and the Giant Peach |
A Giant Peach in the Big Apple |
Article by Mark Cotta Vaz |
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To bring James and the Giant Peach, the classic Roald Dahl children's story, to the the screen through the medium of puppet animation, director Henry Selick orchestrated a massive two-year stop-motion effort augmented with digital contributions by Sony Pictures Imageworks and Buena Vista Visual Effects. |
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Aftershocks: Return of the Worms
Flipper: Dolphin Doubles
Sgt. Bilko: Techno-Tank Trickery
White Squall: Stormy Weather
Gulliver's Travels: A Brobdingnagian Endeavor
Michael Fink: From Fine Arts to Filmmaking |
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