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July 1998 |
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(outside U.S. - add $5.00 each for postage) |
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As a follow-up to their
Independence
Day phenomenon, director Roland
Emmerich and producer Dean Devlin opted to reinvent a classic Japanese
film franchise with Godzilla. Under visual effects supervisor
Volker
Engel, the newly-formed Centropolis
Effects created a twenty-story-tall digital Godzilla, supported by
practical creature effects from Patrick
Tatopoulos designs, plus extensive physical effects, both large and
small, by
Clay
Pinney and Joseph
Viskocil.
Article by Kevin H. Martin |
After a five-season run,
the television sensation The X-Files leaped to the big screen in
a feature film produced by X-Files creator Chris Carter and
directed by series regular Rob Bowman. In addition to makeup and creature effects
by Amalgamated
Dynamics Inc., the motion picture featured an abundance of postproduction
work - supplied principally by
Light
Matters and
Blue
Sky |VIFX - overseen by visual effects supervisor Mat
Beck.
Article by Jody Duncan |
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