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October 1999 |
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(outside U.S. - add $5.00 each for postage) |
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With source material plumbed
from the popular sixties television series, director Barry Sonnenfeld's
Wild
Wild West offered up a comic saga of Old West derring-do pitted against
outrageous villainy and bizarre gadgetry. Makeup effects by Rick
Baker, physical gags by Michael
Lantieri and digital creations by Industrial
Light & Magic and Cinesite
enlivened the proceedings. Article by Kevin H. Martin |
In The Haunting,
based on the novel by Shirley Jackson, the malevolent spirit of a killer
manifests itself in a gothic mansion, turning imagined threats into nightmarish
reality for the unwitting subjects of a psychological study. Director
Jan De Bont sought the talents of effects maestro Phil
Tippett and production designer Eugenio Zanetti, among others, to inject
new life into the eerie tale. Article by Christine Sandoval |
Offering up a mix of stylish
martial arts and cerebral science fiction, The Matrix -- the brainchild
of writer-directors Larry and Andy Wachowski -- offered a singular vision
of a world where reality is nothing more than an elaborate computer construct.
Visual effects were achieved principally by Manex
Visual Effects and DFilm
Services, with assists from other firms in both the United States and
Australia. Article by Kevin H. Martin |
Mako sharks, armed with
enhanced intellects and super-predatory instincts -- the result of genetic
experimentation on board an aquatic research station -- turn on their captors
in the
Renny
Harlin thriller,
Deep Blue Sea. Animatronics innovator
Walt Conti
teamed with visual effects supervisor Jeffrey
A. Okun and a host of digital effects facilities to complete the project.
Article by Estelle Shay |
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